Evaluation of the Supraglottic and Subglottic Activities Including Acoustic Assessment of the Opera-Chant Singers

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dc.contributor.authorPetekkaya, Emine
dc.contributor.authorYucel, Ahmet Hilmi
dc.contributor.authorSurmelioglu, Ozgur
dc.date.accessioned2024-03-13T10:35:02Z
dc.date.available2024-03-13T10:35:02Z
dc.date.issued2019
dc.departmentİstanbul Beykent Üniversitesien_US
dc.description.abstractOpera and chant singers learn to effectively use aerodynamic components by breathing exercises during their education. Aerodynamic components, including subglottic air pressure and airflow, deteriorate in voice disorders. This study aimed to evaluate the changes in aerodynamic parameters and supraglottic structures of men and women with different vocal registers who are in an opera and chant education program. Vocal acoustic characteristics, aerodynamic components, and supraglottic structures were evaluated in 40 opera and chant art branch students. The majority of female students were sopranos, and the male students were baritone or tenor vocalists. The acoustic analyses revealed that the mean fundamental frequency was 152.33 Hz in the males and 218.77 Hz in the females. The estimated mean subglottal pressures were similar in females (14.99 cmH(2)O) and in males (14.48 cmH(2)O). Estimated mean airflow rates were also similar in both groups. The supraglottic structure compression analyses revealed partial anterior-posterior compressions in 2 tenors and 2 sopranos, and false vocal fold compression in 2 sopranos. Opera music is sung in high-pitched sounds. Attempts to sing high-pitched notes and frequently using register transitions overstrain the vocal structures. This intense muscular effort eventually traumatizes the vocal structures and causes supraglottic activity.en_US
dc.description.sponsorshipTUBITAK [1002-110S241]; Cukurova University Scientific Research Unit [TF2010D8]en_US
dc.description.sponsorshipThis study was financed by TUBITAK (project number 1002-110S241) and by Cukurova University Scientific Research Unit (project number TF2010D8). We thank these institutions for their generous financial contributions.en_US
dc.identifier.doi10.1016/j.jvoice.2017.10.023
dc.identifier.issn0892-1997
dc.identifier.issn1873-4588
dc.identifier.issue2en_US
dc.identifier.pmid29289411en_US
dc.identifier.scopus2-s2.0-85042323378en_US
dc.identifier.scopusqualityQ2en_US
dc.identifier.urihttps://doi.org/10.1016/j.jvoice.2017.10.023
dc.identifier.urihttps://hdl.handle.net/20.500.12662/4220
dc.identifier.volume33en_US
dc.identifier.wosWOS:000459857200020en_US
dc.identifier.wosqualityQ2en_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.indekslendigikaynakPubMeden_US
dc.language.isoenen_US
dc.publisherMosby-Elsevieren_US
dc.relation.ispartofJournal Of Voiceen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectSubglottal air pressureen_US
dc.subjectSubglottal airflowen_US
dc.subjectOpera-chant coursesen_US
dc.subjectAcoustic analysisen_US
dc.subjectCompressionen_US
dc.titleEvaluation of the Supraglottic and Subglottic Activities Including Acoustic Assessment of the Opera-Chant Singersen_US
dc.typeArticleen_US

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