Transforming Cultural Memory: Inglourious Basterds (2009)

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dc.contributor.authorTekay, Baran
dc.date.accessioned2025-03-09T10:57:36Z
dc.date.available2025-03-09T10:57:36Z
dc.date.issued2024
dc.departmentİstanbul Beykent Üniversitesi
dc.description.abstractInglourious Basterds (2009) stands out as an example to the unusual storytelling techniques which have been used by Quentin Tarantino in recent years. It can be classified as Historiographic Metafiction with a postmodern perspective. The film's narrative bends the historical narratives and social traumas ingrained in cultural memories. This study has shown that Tarantino's films are not just a pastiche where the director collaged the concepts, events, and motifs selected from the cinematic history. Instead, Tarantino's films challenge audience's cultural memory, knowledge of history, and ways of seeing them. I think they are metafictions that first reveal the conventional methods of remembering before developing an alternative to these kinds of narratives. In this metafiction, memory is more than just a burden of the past, but rather a tool used to reshape the present. © 2024 Allegheny College. All rights reserved.
dc.identifier.doi10.3998/fc.5696
dc.identifier.issn0163-5069
dc.identifier.issue1
dc.identifier.scopus2-s2.0-85193045233
dc.identifier.scopusqualityQ3
dc.identifier.urihttps://doi.org/10.3998/fc.5696
dc.identifier.urihttps://hdl.handle.net/20.500.12662/4933
dc.identifier.volume48
dc.indekslendigikaynakScopus
dc.institutionauthorTekay, Baran
dc.language.isoen
dc.publisherAllegheny College
dc.relation.ispartofFilm Criticism
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_Scopus_20250310
dc.titleTransforming Cultural Memory: Inglourious Basterds (2009)
dc.typeArticle

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