A syntactic analysis of social interfaces in istanbul biennial patterns in case of biennial buildings in 2013 [2013 İstanbul Bienal mekanları üzerinden İstanbul Bienal dokusunun sosyal arayüzlerinin sentaktik analizi]

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dc.contributor.authorCimşit Koş F.
dc.contributor.authorŞalgamcioğlu M.E.
dc.contributor.authorGarip E.
dc.date.accessioned2024-03-13T10:01:25Z
dc.date.available2024-03-13T10:01:25Z
dc.date.issued2015
dc.departmentİstanbul Beykent Üniversitesien_US
dc.description.abstractBiennial events in urban life can be discussed in terms of the interrelation of venues as well as art products and dialogues. There are a number of exhibition venues, where preferences are defined by pragmatic or thematic decisions, such as historical buildings, most common public spaces or contemporary popular places. These buildings are territorial markers of specific patterns and act as museum- like environments. This study aims to explore the potential and performative outcomes of these patterns in the Istanbul Biennial between 1995-2013 and aims to discuss the last biennial in 2013 with syntactical parameters and frequencies comparatively for each venue using interface activities and occupancy through the other biennials. For that purpose, this paper will try to answer the questions below: Do biennial space preferences have performative differences in their syntactical configurations through biennial history (between 1995-2013)? Is there a performative relationship between the syntactical values of the interfaces (for the 2013 biennial) and the frequency of each gate of the venues, considering the interface activities and moods? Comparison of the biennial patterns in Istanbul raises many questions in terms of spatial configuration, social network and functional hierarchy in addition to syntactic parameters such as the mean depth, integration or circularity. The territory of the 2013 biennial and its effects on frequencies will also be examined through biennial venues. To understand whether collective memory or accessibility is effective (dominant), audience frequencies are studied within the biennial pattern using gate counts and interface activities. © 2015, A|Z ITU Journal of Faculty of Architectur. All Rights Reserved.en_US
dc.identifier.endpage125en_US
dc.identifier.issn2564-7474
dc.identifier.issue3en_US
dc.identifier.scopus2-s2.0-84958761920en_US
dc.identifier.scopusqualityN/Aen_US
dc.identifier.startpage115en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12662/3194
dc.identifier.volume12en_US
dc.indekslendigikaynakScopusen_US
dc.language.isoenen_US
dc.publisherIstanbul Teknik Universitesi, Faculty of Architectureen_US
dc.relation.ispartofA/Z ITU Journal of the Faculty of Architectureen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectSocial interfaceen_US
dc.subjectSyntactical configurationen_US
dc.subjectUrban performanceen_US
dc.titleA syntactic analysis of social interfaces in istanbul biennial patterns in case of biennial buildings in 2013 [2013 İstanbul Bienal mekanları üzerinden İstanbul Bienal dokusunun sosyal arayüzlerinin sentaktik analizi]en_US
dc.typeArticleen_US

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