“Love” in Three Colors: White from Chela Sandoval’s Perspective on Social Justice

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dc.contributor.authorGenç, Merve
dc.contributor.authorEke Pınar, Nurcan
dc.date.accessioned2025-03-09T10:53:15Z
dc.date.available2025-03-09T10:53:15Z
dc.date.issued2024
dc.departmentİstanbul Beykent Üniversitesi
dc.description.abstractIn the light of the methodology of the oppressed as developed by U.S. third world feminist Chela Sandoval, this study posits that the subject is not a fixed entity, but rather the result of a fluid and complex process shaped by power relations and social dynamics. Sandoval emphasizes the importance of resistance as a means of challenging oppressive systems and creating social change. She also explores an understanding for the politics of love, which involves recognizing and valuing the multiple ways in which love can be expressed and experienced. Sandoval's work provides a valuable framework for understanding and navigating the complexities of the postmodern world. In this context, the article analyzes White, the second film of Kieslowski's cult trilogy Three Colors based on Sandoval's views. As discussed throughout the study, Three Colors: White reveals how love functions as a catalyst for subjects to regain their autonomy and empowerment.
dc.identifier.doi10.56074/msgsusbd.1453092
dc.identifier.endpage15
dc.identifier.issn1309-4815
dc.identifier.issn2822-6852
dc.identifier.issue29
dc.identifier.startpage1
dc.identifier.trdizinid1239931
dc.identifier.urihttps://doi.org/10.56074/msgsusbd.1453092
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1239931
dc.identifier.urihttps://hdl.handle.net/20.500.12662/4757
dc.indekslendigikaynakTR-Dizin
dc.language.isoen
dc.relation.ispartofMSGSÜ Sosyal Bilimler Dergisi
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_TR_20250310
dc.subjectSocial Justice
dc.subjectChela Sandoval
dc.subjectPolitics of Love
dc.subjectThree Colors: White
dc.title“Love” in Three Colors: White from Chela Sandoval’s Perspective on Social Justice
dc.typeArticle

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