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Öğe The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market [Mimari konfigürasyonun Büyük Beşiktaş Çarşısı’ndaki yaya dolaşımı üzerindeki etkisinin irdelenmesi](Istanbul Teknik Universitesi, Faculty of Architecture, 2015) Garip E.; Şalgamcioğlu M.E.; Cimşit Koş F.A study of trading can help us understand a wider range of organizations and building types. Many shopping centers have been built in Istanbul over the past twenty years. Although these privately owned places serve as social spaces and provide an area for many public activities, their size and close proximity separate them from the urban environment and choke off daily urban street life. Buyuk Besiktas Market, which is selected as the subject of the case study has a specific architectural form. Multiple entrances and a conductive interface converts the building and especially the ground floor into a common area and urban domain that hosts concerts, urban activities and special meetings. The study seeks to understand how does the architectural form and syntactic pattern of the outer layer play a role in changing the pedestrian network inside the building and how do basic architectural elements such as inner courtyards and open spaces affect pedestrian flow and preferences? The research procedure is based on two main steps. The first step comprises a gate count of the people passing through the gates and a density analysis. The second step is to analyze the architectural configuration using Syntax 2D program developed by scientists at the University of Michigan. The results of the study support the idea that particularly for multi-entrance buildings, the urban environment can be more dominant or at least effective in manipulating the natural movement in buildings. Independent from the structure of the building, the configuration which was set by urban dynamics is so dominant. © 2015, A|Z ITU Journal of Faculty of Architectur. All Rights Reserved.Öğe A syntactic analysis of social interfaces in istanbul biennial patterns in case of biennial buildings in 2013 [2013 İstanbul Bienal mekanları üzerinden İstanbul Bienal dokusunun sosyal arayüzlerinin sentaktik analizi](Istanbul Teknik Universitesi, Faculty of Architecture, 2015) Cimşit Koş F.; Şalgamcioğlu M.E.; Garip E.Biennial events in urban life can be discussed in terms of the interrelation of venues as well as art products and dialogues. There are a number of exhibition venues, where preferences are defined by pragmatic or thematic decisions, such as historical buildings, most common public spaces or contemporary popular places. These buildings are territorial markers of specific patterns and act as museum- like environments. This study aims to explore the potential and performative outcomes of these patterns in the Istanbul Biennial between 1995-2013 and aims to discuss the last biennial in 2013 with syntactical parameters and frequencies comparatively for each venue using interface activities and occupancy through the other biennials. For that purpose, this paper will try to answer the questions below: Do biennial space preferences have performative differences in their syntactical configurations through biennial history (between 1995-2013)? Is there a performative relationship between the syntactical values of the interfaces (for the 2013 biennial) and the frequency of each gate of the venues, considering the interface activities and moods? Comparison of the biennial patterns in Istanbul raises many questions in terms of spatial configuration, social network and functional hierarchy in addition to syntactic parameters such as the mean depth, integration or circularity. The territory of the 2013 biennial and its effects on frequencies will also be examined through biennial venues. To understand whether collective memory or accessibility is effective (dominant), audience frequencies are studied within the biennial pattern using gate counts and interface activities. © 2015, A|Z ITU Journal of Faculty of Architectur. All Rights Reserved.Öğe Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of Antrepo no. 3 at the 2013 Istanbul Biennial [Bir bienal yapısının izini sürmek: 2013 İstanbul Bienali Antrepo No.3 yapısının sentaktik analizleri üzerinden sergi mekanının deneyimlenmesi](Istanbul Teknik Universitesi, Faculty of Architecture, 2015) Şalgamcioğlu M.E.; Cimşit Koş F.; Garip E.The design of an exhibition gallery and its curatorial intension for either a temporary exhibition or a permanent museum installation requires understanding how its morphology influences the use of space, as well as the spatial experiences of visitors. The morphology of a gallery in terms of its shape and configuration may affect the display of the artwork, visitors’ activities and their movement through the space. This paper examines the layout of Antrepo No. 3, the main exhibition gallery of the 2013 Istanbul Biennial. This research explores: 1) how museum design influences integrated or segregated locations, as well as visitors’ use of the space during their visits; 2) how spatial layouts influence visitors’ explorations in gallery spaces; 3) which spaces are more or less visited; and 4) what the predominate path is depending on the number of visitors during a specific period of time. Answers to these questions are crucial for this study to understand the impact of the morphology of space on museum visitors. In this sense, syntactic correlations are key to grasping the idea of morphology and visitor experience relations in a curated space in exhibition design. For this investigation, gate counts within the exhibition space and snapshots showing the number of people and their patterns of interaction with the exhibition are correlated with syntactic parameters. Visitors’ spatial experiences and the use of the overall layout depending on the number of visitors during a certain period of time in a specific convex space are taken into account. © 2015, A|Z ITU Journal of Faculty of Architectur. All Rights Reserved.
