Decameron ve Canterbury hikayelerindeki kadın imgeleri
Küçük Resim Yok
Tarih
2014
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İstanbul Beykent Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu tezde Giovanni Boccaccio ve Geoffrey Chaucer'ın ortaçağ kadınlarını, sorunlarıyla birlikte içinde bulundukları koşulları nasıl olduğu gibi ele aldıkları ve her ikisinin kadınlara karşı tutumları işlenmektedir. Bu tezin birinci bölümünde Boccaccio'nun Decameron'da yarattığı kadın imgeleri ve temelde kadın karakterleri tarafından, özellikle de Fiammetta karakteri baz alınarak anlattıkları hikayeler sunulacaktır. İkinci bölümde kadın, Chaucer'ın Canterbury Hikayeleri'nde, Bath'lı Kadın ve rahibeler aracılığyla ele alınacaktır. Bu karşılaştırmalı çalışmada, kadın algısı ve farklı toplumsal sınıflardan gelen kadınlara yüklenen rollerde bu iki sanat eserinin ışığında sunulacaktır. Üçüncü bölümde kadın imgeleri bazı çarpıcı benzerlik ve farklılıklar taşıdıkları için karşılaştırma yapılacaktır. Son olarakta, Avrupa'nın iki farklı ülkesi, 14.yy İtalya ve İngiltere'sinden kadın manzaralarını sunan bir model olarak yukarıda bahsedilen her bir eseri öne çıkartarak ele alınacaktır.
This thesis shows how Giovanni Boccaccio and Geoffrey Chaucer present the conditions and problems of medieval women in their respective narratives as they are and how the women characters are sympathetically treated by the above mentioned authors of the Middle Ages. To serve this purpose, this studyanalyzes the aspects of life in the medieval era in terms of women images. Therefore, in the first chapter of this thesis, the women images created by Boccaccio in the Decameron and the tales and the novellas are told by basically the women characters with specific reference to Fiammetta will be presented. In the second chapter, Chaucer's The Canterbury Tales will be dealt with through the characters, The Wife of Bath and the nuns. In this comparative analysis, the perception of womanhood as well as the role imposed on women from different social classes will also be presented in the light of the two works of art. In the third chapter, the women images will be compared and contrasted as these two works bear some striking similarities and differences. Finally, the thesis concludes by foregrounding each of the above mentioned works as a model which presents the women landscapes from the two different countries, Italy and England, of the 14th century.
This thesis shows how Giovanni Boccaccio and Geoffrey Chaucer present the conditions and problems of medieval women in their respective narratives as they are and how the women characters are sympathetically treated by the above mentioned authors of the Middle Ages. To serve this purpose, this studyanalyzes the aspects of life in the medieval era in terms of women images. Therefore, in the first chapter of this thesis, the women images created by Boccaccio in the Decameron and the tales and the novellas are told by basically the women characters with specific reference to Fiammetta will be presented. In the second chapter, Chaucer's The Canterbury Tales will be dealt with through the characters, The Wife of Bath and the nuns. In this comparative analysis, the perception of womanhood as well as the role imposed on women from different social classes will also be presented in the light of the two works of art. In the third chapter, the women images will be compared and contrasted as these two works bear some striking similarities and differences. Finally, the thesis concludes by foregrounding each of the above mentioned works as a model which presents the women landscapes from the two different countries, Italy and England, of the 14th century.
Açıklama
Anahtar Kelimeler
İngiliz Dili ve Edebiyatı, English Linguistics and Literature
