Dilemma-Işık yükseliyor
Küçük Resim Yok
Tarih
2017
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İstanbul Beykent Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu tez filminde mekânlar ve imgelerin filme dair yaratımı ile ana hikâyenin ve ana kahramanların dışında yan hikâyeler ve yan kahramanlar ile seyirciye şiirin insanların dünyası üzerindeki birleştirici ve çok boyutlu etkisi anlatılmaktadır. Furuğ şiirleri onu okuyan hisseden yaşayan ya da onu tanıyan insanların üzerinde şiirsel bir yolculuk etkisi oluşturmuştur. Sinema da şiir de bu büyük etkiyi sağlayabilir ve bu etki birçok insan arasında sanki şiirsel bir duyumun ortak varlığı gibi oluşabilir ve dünyanın karanlık birçok duygusuna şiirin sağladığı yolculuk sayesinde başka bir hisle yaklaşabiliriz. Bu bazen filmdeki karakterlerdeki gibi psikolojik anlamda tehlikeli ve geçmişine döndüren bir etkide olabilir ya da insanların dünyasında olumlu değişikliklere yol açabilir, sonuç olarak şiirsel yolculuk kişinin içsel dünyasını değiştirebilecek güçtedir. Bu da insanın hayatı, yaşamı, ölümü, toplumsal dünyayı ve birçok şeyi daha farklı algılayabilmesine neden olabilir. İmgeler ve mekânlardaki farklı karakterler üzerinden Furuğ' un iki şiiri ve Celal Hosrovşahi' nin ona olan aşk hikâyesi ile bu alt metin anlatılmak istenmiştir.
In this thesis film project, the main story is supported by the creation of places and images. It is an attempt at a poetic film and the film is shot based on the characteristics style of minimalist cinema. The effect of poetry on places and people constitutes the atmosphere of the film. Furug Ferruhzad's poetry is well known not only in Iran but all around the world. In this film, Furug's Ferruhzad's poems are visualized in a unique way. Every good poem leaves the impression of a journey upon the human soul; the movie Işık Yükseliyor-Dilemma.Dilemma perfectly relates to this theme. When cinema expresses the emotions of the poem it ceases to be a mere visual pleasure and turns into a medium to touch the human soul. The idea of women having their on World, and its social implications in Furug's poetry are reflected as subtexts in this project. Sometimesin certain contexts,readinga poem or watching a story can create dangerous inner journeys as we see in the movie characters. As we can observe via the character Helya, it can detach her away from this world and take her to a dreamy world. This aspect of the film is depicted by the minimalistic scope of magical realismmovement. What matters is overcoming the fear of violating the ordinary and the commonplace, and expanding the scope of imagination. İn the film, two of Furug's poems and Celal Hosrovsahi's love affair with her are also represented in a photographic manner by images and different characters in places.
In this thesis film project, the main story is supported by the creation of places and images. It is an attempt at a poetic film and the film is shot based on the characteristics style of minimalist cinema. The effect of poetry on places and people constitutes the atmosphere of the film. Furug Ferruhzad's poetry is well known not only in Iran but all around the world. In this film, Furug's Ferruhzad's poems are visualized in a unique way. Every good poem leaves the impression of a journey upon the human soul; the movie Işık Yükseliyor-Dilemma.Dilemma perfectly relates to this theme. When cinema expresses the emotions of the poem it ceases to be a mere visual pleasure and turns into a medium to touch the human soul. The idea of women having their on World, and its social implications in Furug's poetry are reflected as subtexts in this project. Sometimesin certain contexts,readinga poem or watching a story can create dangerous inner journeys as we see in the movie characters. As we can observe via the character Helya, it can detach her away from this world and take her to a dreamy world. This aspect of the film is depicted by the minimalistic scope of magical realismmovement. What matters is overcoming the fear of violating the ordinary and the commonplace, and expanding the scope of imagination. İn the film, two of Furug's poems and Celal Hosrovsahi's love affair with her are also represented in a photographic manner by images and different characters in places.
Açıklama
Anahtar Kelimeler
Radyo-Televizyon, Radio and Television, Sahne ve Görüntü Sanatları
